I thoroughly enjoyed my return to
Ballycashel, where the first two books of the series take place. And it was
great fun to expand upon that small, wind-swept village in the west of Ireland.
Among other things, I added a ruined church, a graveyard, and a mass rock.
During the 17th and 18th
Centuries, the ruling British imposed penal laws on the people of Ireland. According
to one of those laws, the Catholic religion was forbidden and priests caught
conducting Catholic mass were subject to arrest.
A mass rock
(Carraig an Aifrinn) was a rock used as an altar to perform Catholic
mass. Often the rock would be taken from a ruined church in the area and
relocated to a more secluded spot. Often, but not always, a simple cross would
be carved on the top of the rock to denote its purpose. Since the masses were
not scheduled, the people relied on word of mouth.
By the late 17th Century, worship
moved to thatched Mass houses, but mass houses can still be found in Ireland
today.
Here’s an excerpt from Everlasting, when my melancholy hero,
Liam Collins, remembers when he first learned about the mass rock near
Ballycashel:
Liam ran his hand over
the cool, rough surface of the rock, searching through the thick carpet of
moss.
Ah, there it was! His
fingers traced lovingly over the faint outline of the cross.
Memories flooded through
his brain in great waves, and a surge of emotion came with them. His eyes
filled with tears. He blinked, and he was ten years old again.
Da
pulled him down to the soft turf and lowered his tall, lanky frame beside him.
He reached out with one big hand and pulled aside the veil of moss shrouding
the big gray stone.
“’Tis
still there, lad. Untouched by time, cherished by the people.”
“What
is it?”
“Look
close, lad. Do ye see what’s been carved there?”
“Is
it coddin’ me ye are? Sure, ‘tis just an old rock.”
Paddy
Collins smiled with an air of mystery. “Ah, but ‘tis not, at all. Look closer,
boy-o.”
Liam
looked again. He glanced up at his father, then frowned down at the rock. Da
had run his fingers over its surface. Now Liam did the same.
He
touched two simple, intersecting lines. A cross?
“Why
would someone carve a cross on an old rock?”
His
father smiled, covering Liam’s fingers with his own and tracing the outline of
the simple cross. “Do you know about the Penal Laws, lad?”
Liam
puffed out his chest. “Of course I do.”
“Oh,
do ye now?” Da reached out to ruffle his hair. “And what do you know of them
then?”
Liam
frowned with concentration. He wasn’t sure why, but suddenly it seemed terribly
important to tell his father every single thing he’d ever learned about the
Penal Laws. “I know we were forbidden an education, or the right to vote, or to
own land. We couldn’t serve in the army or hold public office.” Whatever that meant. “And we couldn’t celebrate Mass…”
His voice trailed off as awareness dawned.
“Aye,
we were forbidden that most basic right. The right to worship our own God.” His
father scowled, his gray-green eyes snapping. “And so we had to hide in order
to celebrate our faith. Like this little place right here.” He gestured to the
tiny stream, the little hazel wood hidden from the main road. “This is a Carraig an
Aifrinn, Liam, a Mass Rock, taken from
the ancient church in the village. And the priest carved that cross on its
surface so the people would know where that secret place was, and remember it.”
“I remember, Da.” Liam
caressed the rock. It felt cold to the touch, despite its blanket of furry
moss. “I remember everything. But in the name of God, there’s times I wish I
didn’t. Times I wish I could forget.”
Meet & Connect with Cynthia
Owens
I
believe I was destined to be interested in history. One of my distant
ancestors, Thomas Aubert, reportedly sailed up the St. Lawrence River to
discover Canada some 26 years before Jacques Cartier’s 1534 voyage. Another relative
was a 17thCentury “King’s Girl,” one of a group of young unmarried
girls sent to New France (now the province of Quebec) as brides for
the habitants (settlers) there.
My
passion for reading made me long to write books like the ones I enjoyed, and I
tried penning sequels to my favorite Nancy Drew mysteries. Later, fancying
myself a female version of Andrew Lloyd Weber, I drafted a musical set in Paris
during WWII.
A
former journalist and lifelong Celtophile, I enjoyed a previous career as a reporter/editor
for a small chain of community newspapers before returning to my first love,
romantic fiction. My stories usually include an Irish setting, hero or heroine,
and sometimes all three.
I’m
the author of The Claddagh Series, historical romances set in Ireland and
beyond, and The Wild Geese Series, in which five Irish heroes return from the
American Civil War to find love and adventure.
I’m a
member of the Romance Writers of America, Hearts Through History Romance
Writers, and Celtic Hearts Romance Writers. A lifelong resident of
Montreal, Canada, I still live there with my own Celtic hero and our two
teenaged children.
Twitter: https://twitter.com/Cynwrites1
Amazon Author Page: http://www.amazon.com/Cynthia-Owens/e/B003DQ1V2E/ref=ntt_athr_dp_pel_pop_1